Aftermath: LA trip and Designer Con!

In November of 2015, the week before Thanksgiving my husband Phil and I set out on our first dedicated vacation in over 6 years to sunny Los Angeles to visit friends, go to Disneyland and for me to vend my first West Coast show at Designer Con.

Me being the high strung, workaholic east coaster I am I scheduled full days of activities every day we were there. We flew in Monday night and stayed with our friends Ben and Karen (who you may know as our Best Man from Phil and I's wedding) who had recently relocated to Pasadena from Brooklyn for our first leg of the trip. In fact, MOST of our friends from New York had relocated to Los Angeles in the past year, especially our friends who work at DC Comics. At the time of our vacation, we had actually attended 6 goodbye parties for friends leaving New York City. So visiting Los Angeles we had the unique experience of seeing more of our New York friends out there in the span of a week than we had in the past 6 months back home. Also the weather was glorious and all of our friends had the cutest little houses with adorable little backyards. And omg the marijuana dispensaries out there were blowing my mind. So Phil and I's opinions about LA are… complicated, to say the least. There were a lot of feelings on this trip that we still aren't sure how to process.

Ben and Karen had the cutest little bungalow style house in Pasadena, and with a YARD! I was admittedly a little jealous, especially as it was late November when we were out there and it was in the 80s and sunny all week compared to the rain in the 40s we left NYC in.

Phil, Ben and I made a day trip to Little Tokyo on Tuesday of our trip and I went on a mini shopping spree.I found a super cute little store with cheap-yet-adorable Japanese housewares. I was SO EXCITED to buy sponges and tweezers.

On Wednesday we had an impromptu lunch with the awesomest of artists, the great Coop whom I've been friends with online but had never met in person. I've been a fan of his art since the 90s and was super excited to grab lunch and talk about comics and art.

Disneyland:

Thursday we spent the morning and early afternoon at Disneyland and then after a rest went to California Adventure in the evening. OF COURSE I got all dolled up to have my own little pinup adventure in the parks, the weather was PERFECT.

#TBT to last month when Phil and I were in sunny California for Disneyland. ::siiiiiigh:: We have to go back! 😭🌴

A video posted by Paige Pumphrey (@paigey_pumphrey) on Dec 17, 2015 at 11:45am PST

We hit Disneyland first to check out all the Season of the Force stuff that was up in Tomorrowland first thing. IMHO, Hyperspace Mountain wasn't very impressive. I don't know if it's that this particular version of Space Mountain is the first and thus very old, but all the Star Wars projections were so bright they drowned out the rest of the star lights in the coaster. As far as the rest of Season of the Force, it mostly just seemed like these expansive Target-like shopping pavilions had taken over the floorspace of Tomorrowland, and even for first thing on a Thursday the lines had already gotten a little out of control so we headed elsewhere. Hopefully the dedicated Star Wars themed world they're building now is more impressive. Lol, I'm such a snob. XD

STAW WAWZ. STAW WAWZ.

A video posted by Paige Pumphrey (@paigey_pumphrey) on Nov 19, 2015 at 9:42am PST

We also got on the Dumbo ride in Fantasyland. Since Phil and I are not small people, we figured it'd be best to get individual Dumbos (plus I got that floofy skirt!). Halfway through the line I also realized Phil and I were the only adults going on who didn't have some small child in tow, which I found humorous.

After Dumbo we went to get Dole Whip floats and get indoctrinated into the Illuminati, wait- I mean, watch the Enchanted Tiki Room. It was a much needed break in the dark with air conditioning and a tasty beverage.  

After we got out of the Tiki Room it was crazy crowded, hot, and lunchtime. So we decided to dip out, but managed to find the entrance to t he mysterious Club 33 where I could grab a quick photo.

Lunch!! And then a nap!

"No. No. You've got to sign for it."

We went to California Adventure after we ate lunch and took a nap, but we didn't know it closed so early (like 9 I think, we thought it'd be open til 10-11) so we were running around trying to see everything. Def want to go back and JUST see California Adventure when we come back next.

Buuuut- we did get to see THE THREE CABALLEROS, which is one of my FAVORITE Disney movies. Also Jose Carioca is my favorite Disney animal character, with Donald almost immediately behind. So it was a SUPER TREAT to run into such an obscure group.

Friday we spent coming back to Pasadena from Disneyland, then setting up my table for Designer Con, then meeting up with Phil's old coworkers and friends from DC Comics, who had all moved to LA from NYC in the past year. The dinner was a delight, I think it must have been about 20 of us all along a long banquet table at this great Mexican restaurant, all hooting and hollering and being loud obnoxious New Yorkers in Burbank. In fact we had SO much fun we didn't take a single picture. D'oh.

Designer Con:

Saturday and Sunday I spent vending at Designer Con alongside my pal Peter Goode whom I know from the art scene back in Baltimore. He actually curated some of my first group art shows! This was my first west coast convention table and I think I did ok. After just coming off the insanity of New Yoprk Comic Con a month prior I wasn't super blown away by the attendance, especially since I found out that CTN Expo was the same weekend over in Burbank and in all honesty I think THAT was more my ideal customer base. Ending the already packed vacation week with a con table to work was probably also not my brightest idea ever. I was SO TIRED from everything else that I just couldn't muster the energy to be excited about selling. I honesty would have rather been sitting poolside, but alas I was there and may as well make the most of it. It was great to see everyone that came by- I was so happy to finally meet followers from my social media accounts and other artists based in California who I've never had the pleasure of meeting in person. I felt so bad for my friends that I hung out with after the show, I was so tired I almost fell asleep over dinner- both nights!

#DesignerCon!! Booth 726 with @petergoodeart and husband Phil!

A video posted by Paige Pumphrey (@paigey_pumphrey) on Nov 21, 2015 at 12:37pm PST

I finally got to wear my Luchadora skirt!! A Paigey/Maria/Little Asian Sweatshop collaboration!!

I got to meet awesome Tiki artist BIG TOE! He was such a sweetheart!

With our NYC-turned-LA friends Pat and Jen and their new California baby!

Overall we had a fantastic time in LA. To the point where we almost didn't want to come back, especially with how cold and lousy the weather was when we returned. We def want to go back out there again next fall and see even more of our friends and all their lovely faces and all the cool locales and such.

I designed the 2016 International Nerdlesque Festival poster!

Happy to announce that I'm doing the art for The 2nd International Nerdlesque Festival this April 1st and 2nd in NYC! I had so much fun at the 1st one two years ago that I offered to do the artwork for the next Fest- and here I am! The last festival had so many amazing performances, I was thoroughly impressed. I highly suggest that if you are a fan of pop culture, nerdy stuff and sexy burlesque performances you should def come out to this show! I will also be vending at the festival both nights, so if you come out be sure to swing by my table and check out all my pinup goodies! 

The final versions:

Friday 4/1/15 at Webster Hall

Saturday 4/2/15 at Le Poisson Rouge

Progress pics:

My inspiration for the flyer came from 80's arcade art. I've been a fan of this type of art all my life, a good chunk of my adolescence was spent at the local arcades they had in the Maryland suburbs.

Some of the art I collected for inspiration.

I tried to break down the elements of my favorite pieces- limited palettes, rounded borders and starbursts were definitely takeaways. Even still I would love to do more artwork in this style. I think it's criminally under appreciated nowadays- there's such a masterful incorporation of stripes and geometric shapes. Total retro-futristic stuff going on. Love it. I still have so much to learn about harnessing it's aesthetic for my own work.

My initial sketch. I knew right off the bat that I wanted a Statue of Liberty figure with a burlesquey/sci-fi spin- adding a bubble helmet, torch scepter and upgrading her stone tablet to a electronic one.



After I got my initial sketch down, I scan it into Photoshop and adjust proportions and posing. I then lighten all my linework to a non-photo blue, and print out the sketch on bristol or card stock copy paper. I then start a second more refined drawing on top of the blue lined sketch, refining my linework and starting to focus on the fine details like her hair, face, and the flow of the dress. The benefit of the blue lined printout under the drawing is that it's eraser-proof, so it's almost like an analog save. There have been too many times in my history of drawing where I thought I should erased something and do it better, only to find out that the version I drew 2-3 erases ago was perfect and I should have just left it alone. When I draw I use a 2H pencil for my layouts (the H stands for hard, it gives a lighter line on the paper) and then go back in to details with an HB pencil (which is somewhat darker, the B stands for bold).



After I have my pencils where I want them, I take a sheet of vellum and tape it over top of my pencils so I can start inking. I tend to always use Micron pens- I've used them since high school and they're one of my favorite brands. They're easy to get ahold of and reasonably priced, plus it's just what I'm used to working in. 

Left- inks right after scanning, Right- inks after cleanup

After I finish inking I scan Space Princess Statue of Liberty into my computer, usually at 300-400 dpi and open her up in Photoshop. Make sure she's whatever size you need her to be- for this poster I will be working in 11x17". Here I start to clean up the linework- erasing any screw ups I may have made on the actual inks and use the Level Tool (Ctrl + L) to bump up the contrast so the lines are more clear. I also go in with the Dodge (set to Highlights at 20% exposure) and Burn (set to Shadows at 50% exposure) tools to eliminate any shadows from scanning the vellum and to darken any fine lines that were starting to grey out. Once I get my line work clear enough, I go to Image > Adjustments > Threshold to make the linework all a sharp, solid black. This may require some adjustments of the slider bar and you may even need to go back yet again and color in some lines that have gaps in them. Once I feel happy with my inks I start my coloring process.

**Depending on how tight my deadline is- I may go even further with cleaning up my inks by importing them over to Illustrator and vectorizing them, then individually adjusting each Bézier curve with the Pen tool. I actually have a segment on how I do this here on Natalie Kin's It's a Draw! video tutorial series. However be warned, it can easily add at least another day to your work and I only suggest it for very clean, open, graphic drawings free of any textures like hatching, stippling, etc.



Wee! Coloring time! So now that our inks are all pretty and sleek and flat black, I start making my layers for coloring. For such a simple palette, I only really worked in about 10 layers for the figure, which I laid out in this GIF:



One of these days I'll break down my coloring methods even further, but that's a progress blog post for another day.
¯\_(ツ)_/¯



Now for the HARD PART.



After I got my figure and my palette sorted I started sketching out in Photoshop what I want the actual poster to look like. At the time I didn't have all the information of where the Festival was being held, or when, or any of that good stuff, so I concentrated on the upper 2/3rds of the poster. This is usually how I lay out all of my posters- scribbling in an inordinate amount of layers, squashing and stretching elements to make them fit in various spots. I have to laugh when people think the hardest part of the poster for me is drawing the main figure, when drawing cute girls is (for me, at least) second nature at this point. It's actually all the typography, design elements and general composition that drive me to beat my head against the wall.



Then I start designing my type! For this part, I open up Illustrator and start looking at fonts (of which my husband and I have about 26,000…). I eventually settled on using two that reflected the retro sci-fi feel I was going for and started building my elements and configuring them into something that starts to resemble my initial poster sketch. (This is a good article on combining fonts.) I tend to build my posters in Photoshop rather than entirely in Illustrator, which people like my husband find mind boggling, but it's what I'm most comfortable in and I feel it's more organic. Plus I'm more familiar with making things look how I want to in Photoshop versus Illustrator. I still however import the elements and type I built from Illustrator- I NEVER use the type tool in Photoshop. It's bush league. You can't scale, kern or properly space your type without it looking like ass. So you shouldn't either, so please do yourself a favor and learn how to use Illustrator if you're going to be dealing with type.



After a couple of days of arranging, then staring, then rearranging, then staring some more I finally got my poster to look like the design I had in my brain and was super pleased with the result. These two last pics are of the early draft before I got all of the proper info- which you can see at the top of this entry. I hope that if you're in the NYC area you'll come by for what is going to be a super fun and amazing show. I went to the first one and was thoroughly impressed (hence why I wanted to be part of the next one!)

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