Studying Up on Retro Cartooning

Always looking to keep my work fresh I'm constantly keeping my eyes peeled for new inspiration. Like a fancy new liquor I can splash in the martini shaker of my brain, sometimes I find something in the back of of my cabinet shelf that's been there all along, hiding in plain sight, covered in dust and cobwebs. I mix it in with my regular favorites and holy crap- where was this deliciousness my whole life? 

'Gee, willeckers!'
Self portrait in the pie-eyed
style of 20s-30s animation.

I plan on doing a whole 'family portrait' in this style
for eventual 2013 Christmas cards. 

So hey guess what- that thinly-veiled analogy I just used of liquor is actually about retro cartoons, particularly those of the 1920s. I've always been a fan of old cartoons, especially since my first artistic interests laid in the animation industry. I fortunately have SUPER supportive parents as well, who were totally feeling my artistic obsessions (especially since these interests were nice and quiet and solitary when I was a kid) and would point me in the direction of pretty much anything animation-related they came across. In particular the old Looney Tunes, Merrie Melodies and Fleischer cartoons of their youth and then eventually I moved on to the more obscure works including those of Osamu Tezuka (Unico), Richard Williams (Raggedy Ann and Andy: A Musical Adventure) and Nelvana (Rock & Rule). Even during vacations to Disney World as a child my parents would enroll me in children's animation classes while they were getting to ride Splash Mountain. 

'Cutie Patootie!'
A flapper pinup in the 20's style.

As I got older my interest shifted from animation into comics but I still wanted to keep the clean aesthetic and line economy of traditional 2D animation and I've been chasing that look ever since. And being a big fan of the concept of 'climbing your artistic family tree' for inspiration, I've been researching the works of Ub Iwerks and Max Fleischer, two of the founding fathers of animation. I remember watching so many of these cartoons as a kid and being engrossed in the adorable creepiness.

Fleischer's Bimbo in "Bimbo's Initiation"

Part 1 of "The Hand Behind the Mouse: The Ub Iwerks Story"

The Hand Behind the Mouse: The Ub Iwerks Story... by CarlStallingEnthusiast

I hope these inspire you as well! I hope in the near future to have my pie-eyed portraits available as a commission option!

Ooooh!!! I'm INTERVIEWED on a PODCAST!

Hey kids!! Want hear me spout some verbal diarrhea for over an hour??

Thank you to the awesome guys at One-Of-a-Kind-Workshop podcast for being my first ever podcast interview! If you can get thru all my irritating verbal tics and stutters, I talk about some quasi-interesting stuff.

As I told Fenny as we were live-texting our reactions to what I said to each other: "Even I'm getting tired of hearing myself.  Waitaminnit... JESUS CHRIST IS THIS WHAT IT'S LIKE TO BE AROUND ME??? D:"

(Fair warning: I consumed an entire bottle of wine during this interview. The more coherent I get, the drunker I am. Go figure.)

Give it a listen:

Click here to be taken to the OOAKW site.

Influence Map Meme

There's a meme on Deviantart called the Influence Map, where you fill in various sized squares on a gridded template with various things that influence you as an artist. These don't necessarily have to be other artists like I put, for me that just seemed the most obvious choice. It's a pretty fun exercise, I enjoyed seeing artists who I am fans of filling it out as well. Interesting to see where we as artists come from.
From the template itself:
"As an artist, you are influenced by things. The reason why you do what you do is the combined application of all the things that influence you. If you run into a major block and cannot create new work, chances are you are forgetting what inspires you and need a refresher. Fill in these squares with everything that influences and inspires you to fuel the art you love to create. Refer to it as a kind of "map" in the future in case you get lost.
You can literally put anything in these squares-- photos of locations or people, other artist's work, artists themselves, video games, TV shows, music, movies and books. You name it, you can put it in there. Fill the grid by placing more prominent influences as larger images. A 3x3 image being the biggest."

You can download your own template here.

Here's mine:

Ed Emberley taught me how to draw

Edward Randolph Emberley (born October 19, 1931 in Malden, Massachusetts) is an American artist and illustrator.
Emberley is best known for his work with children's books. In particular, Emberley has contributed illustrations to instructional books for drawing. From an educational standpoint, Emberley believes that everyone can learn to draw. His instructional drawing books for children present simple step-by-step instructions and often employ the numbers, letters, and shapes with which early elementary-school-age children are beginning to familiarize themselves. His book Ed Emberley's A.B.C. uses this style of instruction exclusively, presenting a single letter-based drawing for each letter of the alphabet.
Emberley has illustrated or contributed to over 50 books. Many of the books were published in the 1960s, 1970s, and 1980s. Emberley has experienced a renaissance with adults who fondly remember using the books in their youth, and are now purchasing them for their children (or for themselves).

As a kid, I hung out at the library, mostly because it was one of the only public places my over-protective parents would allow me to roam beyond eyesight. The kids section and the art/comics section were my stomping grounds, and I must have gone thru all the books there at least three times over. Even back then I barely had the attention span for any books without pictures, and ever since I was old enough to look at things I've been a visual person. But one of the things I got that I was OBSESSED with, and caused quite a sum of late fees, was the Ed Emberley's How-To-Draw Books. These were like, my artistic bible growing up. He breaks stuff down SO SIMPLY that literally ANYONE can draw this stuff, and it's perfect for kids who want to draw, cuz it helps them make SENSE of all the crazy scribbles they do, and learn basic structure and how to use simple shapes to make a picture. I mean,look at this:



Even if you 'can't even draw a straight line' you can follow Ed's instructions. And for the record, hardly ANYONE can draw a straight line, regardless of their artistic skill. That's why rulers are so popular.

Look how simple that is. And after you draw all of the things he shows you, it arms you with the basic artistic ability to break stuff down that you see in real life into simple shapes and then build them back up into a picture on paper. Which is, essentially what an artist does.



Here's a review I found of Ed Emberley's Make A World book, that they recently reissued, which was my favorite by far. Honestly, this book changed my life. It makes anyone capable of drawing SO MUCH STUFF, that it's like your imagination just pours out onto the paper. At least it did for me.




How to Draw a Werewolf, from The Big Book of Weirdos. He was my favorite. I'm actually gonna get a tattoo of him sometime next year or so.


For more information:
Ed on Wikipedia
Ed Emberley search results on Amazon.com
Ed Emberley.com (requires Flash)
Make A Word: The Film (upcoming documentary on Ed Emberley's book)